Never has Billy Crudup been more sexy or Kate Hudson more luminous. This semi-autobiographical movie, written and directed by Cameron Crowe, is the story of a 15-year-old boy's adventure when he is given an assignment by Rolling Stone Magazine. Not knowing that he is so young, William is able to talk them into letting him write about a minor band, Stillwater, and goes on tour with them.
Stillwater has its groupies, a band of four girls who call themselves "Band-Aides." They have great names: Estrella Starr (Bijou Phillips), Polexia Aphrodisia (Anna Paquin), Sapphire (Fairuza Balk), and Penny Lane (a glowing Kate Hudson). William falls in love with Penny Lane, who in turn is in love with Russell (Billy Crudup), the guitarist and leader of the band.
This is a coming-of-age story. William encounters grown-up issues and has to learn to deal with betrayal, jealousy, sex, drugs, and the games people play with each others' hearts.
This is probably Kate Hudson's best performance. It is certainly her break-out role. After seeing this, you will agree it is a shame that she has relegated herself to the superficial and silly world of rom-coms.
Billy Crudup is gorgeous, sexy, and funny in this movie. You'll never forget him standing on the roof and screaming, "I am a golden god." After this movie, it seems that he made an effort to not be viewed as romantic leading man material by playing roles that not only play down his attractiveness, but often make him very unappealing. It's a shame, because I always appreciate eye candy, especially when it is coupled with an excellent performance.
The soundtrack is fantastic and won a Grammy in 2001. There is also a director's cut available, with previously deleted scenes.
There is real charm in this movie. It is fun to watch and surprises you with its depth and feeling. All the performances are excellent, even the smaller roles. If this was the time period when you were coming-of-age yourself, you will delight in the memories. If you are younger, you will enjoy the snapshot of that era in music.
DIRECTOR: Cameron Crowe. CAST: Billy Crudup, Frances McDormand, Kate Hudson, Jason Lee, Patrick Fugit, Anna Paquin, Fairuza Balk, Noah Taylor, Zooey Deschanel, Bijou Phillips, Philip Seymour Hoffman, Peter Frampton, Jimmy Fallon.
AWARDS: Won 1 Oscar. Another 43 wins and 76 nominations.
A BLOG ABOUT MOVIES WORTH SEEING AVAILABLE ON DVD. You will find all kinds of movies here: classics, foreign, dramas, indies, comedies, musicals, and even some TV. Sometimes they will not be great movies, but they will be interesting and not boring. Most of all, I want to include movies that many people have never heard of. My friend, Jermana, thinks that any info beyond the setup is too much information. So, with her in mind, I will be giving you just enough info to entice you. Happy viewing!
Sunday, December 26, 2010
Sunday, December 19, 2010
Victor/Victoria (1982) [PG]
One of my favorite movies! Julie Andrews is Victoria. She just can't seem to make an impact as a soprano, so with the help of her friend Toddy (the great Robert Preston), comes up with the strategy of her pretending to be a female impersonator. That's right, Victoria is a woman pretending to be a man who is pretending to be a woman. Toddy pretends to be her gay boyfriend, strengthening the ruse.
Complications arise when King Marchand (extra yummy James Garner) arrives on the scene. He is a gangster who, to his great consternation and confusion, finds himself attracted to Victoria, which means Victor! His girlfriend, Norma (a hilarious screechy-voiced Leslie Ann Warren) is far from pleased.
The movie successful recaptures the spirit and pace of the old "screwball comedies." It keeps moving along and topping itself. And while it is so funny, it also makes some barbed comments about gender and sexuality.
This past week saw the death of Blake Edwards, the director of this movie. His great movies: Breakfast at Tiffany's, Days of Wine and Roses, the Pink Panther movies, and of course, Victor/Victoria. Although he also created many clunkers, his best was great.
One piece of trivia: Julie Andrews and Blake Edwards were married for 31 years.
I so enjoy this movie that I usually re-watch it every few years. I laugh each time and enjoy every minute.
DIRECTOR: Blake Edwards. CAST: Julie Andrews, James Garner, Robert Preston, Lesley Ann Warren, Alex Karras, John Rhys-Davies, Graham Stark, Peter Arne.
AWARDS: One Oscar. Another 10 wins and 12 nominations.
Complications arise when King Marchand (extra yummy James Garner) arrives on the scene. He is a gangster who, to his great consternation and confusion, finds himself attracted to Victoria, which means Victor! His girlfriend, Norma (a hilarious screechy-voiced Leslie Ann Warren) is far from pleased.
The movie successful recaptures the spirit and pace of the old "screwball comedies." It keeps moving along and topping itself. And while it is so funny, it also makes some barbed comments about gender and sexuality.
This past week saw the death of Blake Edwards, the director of this movie. His great movies: Breakfast at Tiffany's, Days of Wine and Roses, the Pink Panther movies, and of course, Victor/Victoria. Although he also created many clunkers, his best was great.
One piece of trivia: Julie Andrews and Blake Edwards were married for 31 years.
I so enjoy this movie that I usually re-watch it every few years. I laugh each time and enjoy every minute.
DIRECTOR: Blake Edwards. CAST: Julie Andrews, James Garner, Robert Preston, Lesley Ann Warren, Alex Karras, John Rhys-Davies, Graham Stark, Peter Arne.
AWARDS: One Oscar. Another 10 wins and 12 nominations.
Wednesday, December 15, 2010
Rosemary's Baby (1968) [R]
If The Godfather is the classic American gangster movie, then Rosemary's Baby is the classic American thriller. A young couple, Rosemary and Guy, (Mia Farrow and John Cassavetes) may be getting involved with a Satanist cult, she unknowingly, he for material gain.
They find a great apartment in the Bradford, which is modeled after one of the grand old apartment houses along Central Park West in New York. (The exteriors are the famous Dakota, which wouldn't allow filming inside the building.) After they become friendly with their neighbors (an award-winning performance from Ruth Gordon), Guy's stagnant acting career suddenly takes off. They decide it is time to get pregnant and now the creepiness begins.
Roman Polanski is a great director. His credits include Repulsion, The Pianist, Chinatown and the best MacBeth I have ever seen. It is interesting to note that while Rosemary's Baby and Chinatown are considered true modern American classics, Polanski is not American!
In Rosemary's Baby, he creates a tension and creepiness throughout the movie. We are not sure, just as Rosemary is not sure, whether Guy has conspired with the devil or not, that is, until the end of the movie, when we all know for sure what is the truth.
That Roman Polanski is the director of this movie brings up the question of whether an artist can be separated from his work. Does the work stand alone, or is it tainted by the artist's behavior in life? While Polanski's criminal behavior should not be ignored, can it be allowed to interfere with the appreciation of his art? I believe that while 100 years from now his behavior may be a footnote to his work, his work will stand the test of time. Rosemary's Baby will remain on the list of the best 100 movies ever made.
A horror movie without gore or blood, an American classic, a mystery, a morality play, and a masterpiece of atmosphere and foreboding, Rosemary's Baby is must viewing.
DIRECTOR: Roman Polanski. CAST: Mia Farrow, John Cassevetes, Ruth Gordon, Sidney Blackmer, Elisha Cook, Jr., Patsy Kelly, Charles Grodin.
AWARDS: Won 1 Oscar and 1 Golden Globe. Another 10 wins and 9 nominations.
They find a great apartment in the Bradford, which is modeled after one of the grand old apartment houses along Central Park West in New York. (The exteriors are the famous Dakota, which wouldn't allow filming inside the building.) After they become friendly with their neighbors (an award-winning performance from Ruth Gordon), Guy's stagnant acting career suddenly takes off. They decide it is time to get pregnant and now the creepiness begins.
Roman Polanski is a great director. His credits include Repulsion, The Pianist, Chinatown and the best MacBeth I have ever seen. It is interesting to note that while Rosemary's Baby and Chinatown are considered true modern American classics, Polanski is not American!
In Rosemary's Baby, he creates a tension and creepiness throughout the movie. We are not sure, just as Rosemary is not sure, whether Guy has conspired with the devil or not, that is, until the end of the movie, when we all know for sure what is the truth.
That Roman Polanski is the director of this movie brings up the question of whether an artist can be separated from his work. Does the work stand alone, or is it tainted by the artist's behavior in life? While Polanski's criminal behavior should not be ignored, can it be allowed to interfere with the appreciation of his art? I believe that while 100 years from now his behavior may be a footnote to his work, his work will stand the test of time. Rosemary's Baby will remain on the list of the best 100 movies ever made.
A horror movie without gore or blood, an American classic, a mystery, a morality play, and a masterpiece of atmosphere and foreboding, Rosemary's Baby is must viewing.
DIRECTOR: Roman Polanski. CAST: Mia Farrow, John Cassevetes, Ruth Gordon, Sidney Blackmer, Elisha Cook, Jr., Patsy Kelly, Charles Grodin.
AWARDS: Won 1 Oscar and 1 Golden Globe. Another 10 wins and 9 nominations.
Monday, December 13, 2010
Kiss of the Spider Woman (1985) [R]
William Hurt and Raul Julia play two prisoners in a South American prison. Hurt is Luis Molina, a homosexual jailed for seducing an underage boy. Julia is Valentin Arregui, a political prisoner. They are opposites in almost every way you can think of. At first glance, one might think that this will be a typical movie about learning to get along and creating friendship but this movie is much more than that!
To pass the time, Molina tells Arregui stories from old movies. They all feature a beautiful woman played by Sonia Braga. Arregui at first doesn't want to hear these stories, but after a while he encourages Molina to spin his tales. We all find that we like having stories told to us.
There are twists to the movie. The powers that be are obviously using Molina to get secrets out of Arregui, and a friendship does begin to develop between the two men. But so much more is going on here.
This movie did well for the two leads who are brilliant in their roles: William Hurt rightly won an Academy Award for his performance; this was the breakout movie for Julia. Sonia Braga who is absolutely gorgeous in this movie also saw an improvement in her career.
I didn't think I would like this movie. I mean, come on. Prisoners in South America, politics, and William Hurt as a gay man! But this movie truly moved me. It gets better as it goes along, becoming an excellent movie way before the last scene.
DIRECTOR: Hector Babenco. CAST: William Hurt, Raul Julia, Sonia Braga, Jose lewgoy, Nuno Leal Maia, Denise Dumont.
AWARDS: Won Oscar. Another 10 wins and 8 nominations.
To pass the time, Molina tells Arregui stories from old movies. They all feature a beautiful woman played by Sonia Braga. Arregui at first doesn't want to hear these stories, but after a while he encourages Molina to spin his tales. We all find that we like having stories told to us.
There are twists to the movie. The powers that be are obviously using Molina to get secrets out of Arregui, and a friendship does begin to develop between the two men. But so much more is going on here.
This movie did well for the two leads who are brilliant in their roles: William Hurt rightly won an Academy Award for his performance; this was the breakout movie for Julia. Sonia Braga who is absolutely gorgeous in this movie also saw an improvement in her career.
I didn't think I would like this movie. I mean, come on. Prisoners in South America, politics, and William Hurt as a gay man! But this movie truly moved me. It gets better as it goes along, becoming an excellent movie way before the last scene.
DIRECTOR: Hector Babenco. CAST: William Hurt, Raul Julia, Sonia Braga, Jose lewgoy, Nuno Leal Maia, Denise Dumont.
AWARDS: Won Oscar. Another 10 wins and 8 nominations.
Sunday, December 12, 2010
Nurse Betty (2000) [R]
This movie is a little odd. Not a comedy for the kiddies, because the frame around the movie includes blood, drugs, and hitmen. I have the thought that there is no blood in any comedy other than black comedy, but this movie is a good argument against my theory, as it is a romp.
Renee Zellweger is Betty, who after witnessing the murder of her husband, becomes delusional and heads for Los Angeles to find her former finance, Dr. David Ravell, who is a character on a soap opera who is played George McCord, who is played by Greg Kinnear. Betty is followed to LA by the two hitmen (Morgan Freeman and Chris Rock, who, of course, do their amusing bickering thing) looking for the drugs her husband hid in the trunk of her car.
Renee is perfect in the role as a naive innocent who, unaware of her husband's illegal double life, is just as believing that Dr. Ravell is a real person who has a history with her.
The movie has all sorts of twists and surprises and ties up perfectly at the end. Neil LaBute, a director with a reputation for movies that are usually pretty bitter, has a light touch here, although he does make sure that violent reality keeps intruding, which somehow works!
DIRECTOR: Neil LaBute. CAST: Morgan Freeman, Renee Zellweger, Chris Rock, Greg Kinnear, aaron Eckhart, Tia Texada, Crispin Glover, Pruitt Taylor Vince, Allison Janney, Kathleen Wilhoite, Sheila Kelley.
AWARDS: Won Golden Globe. Another 4 wins and 12 nominations.
Renee Zellweger is Betty, who after witnessing the murder of her husband, becomes delusional and heads for Los Angeles to find her former finance, Dr. David Ravell, who is a character on a soap opera who is played George McCord, who is played by Greg Kinnear. Betty is followed to LA by the two hitmen (Morgan Freeman and Chris Rock, who, of course, do their amusing bickering thing) looking for the drugs her husband hid in the trunk of her car.
Renee is perfect in the role as a naive innocent who, unaware of her husband's illegal double life, is just as believing that Dr. Ravell is a real person who has a history with her.
The movie has all sorts of twists and surprises and ties up perfectly at the end. Neil LaBute, a director with a reputation for movies that are usually pretty bitter, has a light touch here, although he does make sure that violent reality keeps intruding, which somehow works!
DIRECTOR: Neil LaBute. CAST: Morgan Freeman, Renee Zellweger, Chris Rock, Greg Kinnear, aaron Eckhart, Tia Texada, Crispin Glover, Pruitt Taylor Vince, Allison Janney, Kathleen Wilhoite, Sheila Kelley.
AWARDS: Won Golden Globe. Another 4 wins and 12 nominations.
Saturday, December 11, 2010
The Thomas Crown Affair (1968 and 1999) [R]
The rare case where both the original and the remake are enjoyable viewing. Basically the story of an insurance investigator tracking down and trying to catch a bored playboy millionaire thief. The story is OK, but these movies have STYLE!
The 1968 version stars Steve McQueen and Faye Dunaway. Of course, Steve is supercool! The movie has multiple images going on at once, a fairly new and jazzy technique in 1968. It all adds to the fun. Don't miss the chess game. Who knew chess could be so sexy?!
The 1999 version has Pierce Brosnan and Rene Russo as the leads. Whereas Faye drips sex appeal, Rene is lovely, but no sex bomb. Instead, this version has a great high-tech museum robbery. The end is a blast, also, different and in some ways better, than the original.
In both movies, the question is will the insurance investigator betray Thomas?
These are light, sexy movies for adults. If you've never seen Steve McQueen in action, this is a good movie to find out what all the fuss was. He even does his own stunts (polo)! Pierce is, of course, gorgeous. After all, he is one of the James Bonds. Great fashions, technology and a fun story. Either or both would make for a great date night.
1968: DIRECTOR: Norman Jewison. CAST: Steven McQueen, Faye Dunaway, Paul Burke, Jack Weston, Biff McGuire, Yaphet Koto.
AWARDS: Won Oscar. Another 1 win & 5 nominations.
1999: DIRECTOR: John McTiernan. CAST: Pierce Brosnan, Rene Russo, Denis Leary, Ben Gazzara, Frankie Faison, Fritz Weaver, Charles Keating, Mark Margolis.
AWARDS: 3 wins & 2 nominations.
The 1968 version stars Steve McQueen and Faye Dunaway. Of course, Steve is supercool! The movie has multiple images going on at once, a fairly new and jazzy technique in 1968. It all adds to the fun. Don't miss the chess game. Who knew chess could be so sexy?!
The 1999 version has Pierce Brosnan and Rene Russo as the leads. Whereas Faye drips sex appeal, Rene is lovely, but no sex bomb. Instead, this version has a great high-tech museum robbery. The end is a blast, also, different and in some ways better, than the original.
In both movies, the question is will the insurance investigator betray Thomas?
These are light, sexy movies for adults. If you've never seen Steve McQueen in action, this is a good movie to find out what all the fuss was. He even does his own stunts (polo)! Pierce is, of course, gorgeous. After all, he is one of the James Bonds. Great fashions, technology and a fun story. Either or both would make for a great date night.
1968: DIRECTOR: Norman Jewison. CAST: Steven McQueen, Faye Dunaway, Paul Burke, Jack Weston, Biff McGuire, Yaphet Koto.
AWARDS: Won Oscar. Another 1 win & 5 nominations.
1999: DIRECTOR: John McTiernan. CAST: Pierce Brosnan, Rene Russo, Denis Leary, Ben Gazzara, Frankie Faison, Fritz Weaver, Charles Keating, Mark Margolis.
AWARDS: 3 wins & 2 nominations.
Friday, December 10, 2010
Memento (2001) [PG-13]
I really enjoyed this movie. It was hard to follow, out of time line with half of it going backwards, some of it in black and white and the rest in color, the oddest affliction to a lead character, and just plain exciting.
The story is about Leonard (Guy Pearce) has no ability to create new memories. He was injured trying to save his wife as she was being raped and murdered in their home. He was left without the ability to create new memories. His mission is to hunt down and kill the murderer.
It's pretty interesting watching him cope with having no memory. He takes lots of Polaroids and writes notes to himself on them, things like "don't trust him" and "home." He writes notes to himself on post-its, but most disturbing is his tattooing any clues he uncovers about his prey directly onto his body.
The movie has two storylines moving in two directions. The color part moves backwards in overlapping scenes, while the black and white, which are mainly conversations on the phone which tell a story, move forward.
For some people, Memento is a mishmash. For me, the movie is fascinating and troubling. Our hero (?) is definitely headed in some direction and we are going along for the ride, trying to make sense out of it. I found the end, which is the beginning, to be a real shocker! Ultimately, the theme of the movie is "Never Underestimate the Power of Denial," which has sort of become my motto.
This is the movie which first brought Christopher Nolan to Hollywood's attention. He is, of course, the director of Batman Begins, The Dark Knight, and Inception. Memento is fresh, daring and original. Since its release, other directors have used shifting time lines, but the thrill Nolan creates in this movie has not been duplicated.
DIRECTOR: Christopher Nolan. CAST: Guy Pearce, Carrie-Anne Moss, Joe Pantoliano, Mark Boone, Jr., Stephen Tobolowsky, Jorja Fox, Callum Keith Rennie.
AWARDS: Nominated for 2 Oscars. Another 42 wins and 33 nominations.
The story is about Leonard (Guy Pearce) has no ability to create new memories. He was injured trying to save his wife as she was being raped and murdered in their home. He was left without the ability to create new memories. His mission is to hunt down and kill the murderer.
It's pretty interesting watching him cope with having no memory. He takes lots of Polaroids and writes notes to himself on them, things like "don't trust him" and "home." He writes notes to himself on post-its, but most disturbing is his tattooing any clues he uncovers about his prey directly onto his body.
The movie has two storylines moving in two directions. The color part moves backwards in overlapping scenes, while the black and white, which are mainly conversations on the phone which tell a story, move forward.
For some people, Memento is a mishmash. For me, the movie is fascinating and troubling. Our hero (?) is definitely headed in some direction and we are going along for the ride, trying to make sense out of it. I found the end, which is the beginning, to be a real shocker! Ultimately, the theme of the movie is "Never Underestimate the Power of Denial," which has sort of become my motto.
This is the movie which first brought Christopher Nolan to Hollywood's attention. He is, of course, the director of Batman Begins, The Dark Knight, and Inception. Memento is fresh, daring and original. Since its release, other directors have used shifting time lines, but the thrill Nolan creates in this movie has not been duplicated.
DIRECTOR: Christopher Nolan. CAST: Guy Pearce, Carrie-Anne Moss, Joe Pantoliano, Mark Boone, Jr., Stephen Tobolowsky, Jorja Fox, Callum Keith Rennie.
AWARDS: Nominated for 2 Oscars. Another 42 wins and 33 nominations.
Tuesday, December 7, 2010
Ushpizin (2004) [PG]
This is a lovely movie from Israel. A down-to-earth and folksy film about a childless Orthodox Jewish couple with financial problems celebrating the Sukkoth holiday. As the husband tries to find a etrog (a "fruit of the beautiful tree" (see the movie poster)) that is perfect, and material to build a sukkoth (sort of a hut) that they need for the holiday, the couple is presented with house guests. Ushpizin is Hebrew for "holy guests."
A fairy tale of answered prayers (how wonderfully they pray!) mixed with, and brought about by a series of misadventures, misunderstandings, reconciliations and even small miracles. A heart-warming movie with titles, which offers a rare view of the Orthodox Jewish community.
The characters are charming, even the crooks, and you can easily identify with their plights. The couple are married in real life. Shuli Rand, who plays the husband, wrote the screenplay with the approval of his Rabbi. This is the first movie made by members of the Israeli ultra-Orthodox community in collaboration with secular filmmakers.
Whether you are religious or not, you will be touched by this movie.
DIRECTOR: Giddi Dar. CAST: Shuli Rand, Michal Bat-Sheva, Shaul Mizrahi, Ilan Ganani, Avraham Abutboul, Yopathan Danino, Daniel Dyan.
AWARDS: 1 win & 2 nominations.
A fairy tale of answered prayers (how wonderfully they pray!) mixed with, and brought about by a series of misadventures, misunderstandings, reconciliations and even small miracles. A heart-warming movie with titles, which offers a rare view of the Orthodox Jewish community.
The characters are charming, even the crooks, and you can easily identify with their plights. The couple are married in real life. Shuli Rand, who plays the husband, wrote the screenplay with the approval of his Rabbi. This is the first movie made by members of the Israeli ultra-Orthodox community in collaboration with secular filmmakers.
Whether you are religious or not, you will be touched by this movie.
DIRECTOR: Giddi Dar. CAST: Shuli Rand, Michal Bat-Sheva, Shaul Mizrahi, Ilan Ganani, Avraham Abutboul, Yopathan Danino, Daniel Dyan.
AWARDS: 1 win & 2 nominations.
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